Saturday, June 28, 2014

Embers: Full Length

I started this short story a while ago and have been posting bits and pieces of it. here is the full version! 

Embers
The fireman who found her was young, inexperienced, a little bit afraid. His uniform was slightly too large, and he always followed the rules.  He was determined and earnest. He was the kind of young man that mothers say is a sweet boy and fathers say is a good kid.
In short, he was unprepared for what faced him.
It was an old house, rotting, ugly, dark. Falling in on itself. They were going to tear it down. The fire was a blessing, in a way.
A big yard, filled with tall weedy grasses, dry and wild. A tinderbox.
They didn’t even bother to wonder what started it—a kid’s dropped cigarette, a spark from someone’s barbecue a few houses down. What did it matter?
No one lived there anyway.
Abandoned for years, that’s what everyone said. Hadn’t seen anyone come in or out for as long as they could remember.
So it was meant to be easy—they weren’t trying to save anyone, weren’t trying to protect anything. Just spray it down, keep it from spreading down the street. Contain it.
Contain the beast, the licking orange flames. That’s all. Not vanquish, not defeat. Only contain.
They sent a few guys in once it wasn’t raging to see if there was anything still needing to be dealt with—no missed spots, no chance of a reignited fire.
And that’s when he saw her.
A child. Naked and tiny and screaming.  He could barely hear her over the flames, the sound of the house dying. But he saw her, and he ran towards her as fast as he could.
There was no blanket near her, no clothes, no bottle, nothing.
No clues to where she came from, or why she was here, in a house that no one cared about anymore.
Naked and tiny and screaming.  Eyes screwed shut with the effort of it.
A newborn, no more than a few hours old. So small and red and very very alive.  He picked her up, as gently as if she were a fragile ornament that he might break.
She opened her eyes and looked at him. Her eyes were an amber color he had never seen before, and they were beautiful. He looked back. His heart skipped a beat. He suddenly felt painfully warm, and he reflexively shook his fire-retardant coat, certain he was burning.

He remembered himself then, remembered that they were in a building that was about to collapse. He wrapped the baby in his jacket, ran outside, performed his job. And their miracle, their magic amber moment, it was over.
 The young fireman never saw her again after that day, but he remembered those eyes, the look she gave him the day she began.


  …
The Ashby family was enjoying the pool and each other. Mid-june, when the air itself is full of promise.
It was a beautiful day, bright and optimistic.
Tina Ashby was watching her little girl play in their pool, the sun  glinting off her tight curls, splashing , pretending she was a mermaid, and she smiled to herself.  She liked looking at Lyla when she didn’t know she could be seen, getting to look into her world. And she was so heart-breakingly beautiful, her daughter, her features so unusual. Skin the color of copper, hair the exact shade of rich red clay in the earth. Eyes like a tiger’s, a deep gold. When they first brought her home, Tina’s father looked at her and said it looked like  they’d rolled her in cinnamon. He’d called her that ever since, his little cinnamon bun. She loved him unconditionally and fiercely, the way only grandparents can be loved.
Tina sometimes felt that Lyla was more lovely a girl than she and Peter could ever have created on their own, by the force of their collective genetics. She seemed beyond that. Tina had so often wondered who it was who made her this child and where they came from. Whose DNA coiled like a secret in Lyla’s cells? Who wrote the complex book of instructions that built her daughter, this one-of-a-kind masterpiece? It was like owning a beautiful  painting  with no signature.  It pained her deeply.
But  then, Lyla would say “melk” instead of “milk” just like Pete. Or she would  crawl into Tina’s lap and settle into the soft nook of her shoulder, the one that seemed built for her. And in those moments,  Lyla was theirs entirely. In those moments, Tina just looked at the painting; she didn’t search for a name hidden in the corner. In those moments, she didn’t need to know.
“Momma, can I have some lemonade?”
Lyla, dripping, looked up at her.
“Of course, sweetheart.”
She grabbed a towel off of the chaise lounge by the pool and bundled Lyla up in it. She  filled her a plastic cup from the pitcher on the table and when it dribbled  on her chin, she wiped it for her.
She was so distracted by this task that she didn’t even notice the red mark on her daughter’s left hand.  It was so small, after all. But that night, after Pete got home from work, he decided that he would bathe Lyla.  Have some quality time. She could make him cappuccinos out of the bubbles and serve them to him in the blue sippy cup Tina left in the bathroom for her to play with, tell him stories.  They could be together.  Lyla was still young enough that her naked body was an innocent thing, and he wasn;t uncomfortable with it yet. She was barely more than a baby.
She was laughing at the soapy beard he had put on her chin, making faces. He made some back. Added a tower of bubbles to her head as he shampooed it. It was such an average night. So comfortable.
He made a monkey face and wiggled his fingers at her. She imitated him, and that’s when he saw it. In the center of her palm, a burn.  It was so oddly shaped he did a double take—the irritated skin that must have been burned formed a perfect triangle, snow white.
“Honey, did you touch something hot? Does that hurt?” .
“What, daddy?”
“That,on your hand.” He pointed.
“A little.”
“Where did it come from?”
He imagined some creep burning his daughter’s soft flesh and he felt angry, so very angry. How could Tina and he not have seen it? How long had it been there?
“ I was at school sitting with Gracie and Ms. Leonard gave us popsicles for a special treat because it was the last day, and I had strawberry and Gracie had green, and it was so fun, but then..then it got really ouchy.”  What, eh wondered, had “really ouchy” entailed? Who had touched her?
“Did someone hurt you?” He says this gently even though all he feels is rage and fear, so much fear.  
“No. Nobody. I just…it was too cold. And then I got this “
He sighed, perplexed.
“Too cold?”
“Yes, Daddy. It hurted me.”
Another time he would have thought her grammar charming. Now he is just confused. She must, he decided, be mistaken. Children can be mistaken.  
“Daddy, I’m cold. Can you dry me off now please?”
He nodded, picked her up in her hooded ducky towel. Drained the tub and rubbed the towel down Lyla’s arms and in her hair, all without saying a word.
“Do you want Daddy to put some ice on it, babe?”
“No! I don’t want ice. Ice is too cold.”
Not so unusual, he supposed. He had hated ice packs on his skin as a kid. They hurt, if they weren;t wrapped in a washcloth. His mother never bothered. She said that defeated the point.
 Probably, Lyla had touched the stove and didn’t remember. That seemed far-fetched, but Lyla’s own explanation--her popsicle—made no sense. He tried to forget it, and Tina told him not to worry about it, it would probably go away in a day or two.  But when he tucked Lyla in and turned off the light, her hand lay open on the coverlet, and he could have sworn the triangle glowed.

Pete went about his next weeks the way he always did, and in the simple rhythm of work and dinners and childcare he forgot all about Lyla’s hand. Tina looked at it briefly and wasn’t worried. Lyla went to summer camp, Baby Ballerinas. She had a recital. She swam in the pool. She took off her floaties. She went in the deep end. She grew a quarter inch. Tina got a promotion. They went to Hawaii.
It was a wonderful summer, and it turned it to a brisk fall, the kind of days that make a person want to work hard, to go hiking, chop wood. Industrious days.
Normally, Tina just took Lyla to Spirit in the mall to look for her Halloween costume, but this year, she felt adventurous, and she asked Lyla if she wanted to make it with her.
“it could be a project, for you and me. We’ll make it ourselves.”
Tina had always felt intimidated by those efficient, wholesome women who sewed things and baked from scratch and had gardens, women who seemed to be taunting her with their domestic prowess. This year she would beat them at their own game. This year they would make it. She had images of them sitting at the kitchen table together, cutting fabric, laughing, bonding.  Yes, Tina decided, that was just what they would do.
So she dug her almost untouched sewing machine and went online to look for patterns. There were plenty of amazing ideas, most of which she couldn’t imagine actually being able to complete. The blogs she looked at said things like “and then sew on the zipper and you’re all done!”, as if sewing on a zipper was something that Tina would inherently know how to do, something that needed no instructions. She felt inadequate and frustrated.
Then she found a blog called “Simple Sewing Fun”—a good sign, in Tina’s view—that had a whole list of toddler and children’s Halloween costumes, with step-by-step directions written in language a kindergartener could understand.  She was pleased.
She started scrolling through the links, looking at the names and the first few directions, scoping out a manageable pattern.
The Fairy Queen looked too elaborate, and the Ghost much too pedestrian. The Little Red Riding Hood  story scared Lyla, so that one was out. She was on the edge of despair when, at the bottom of the page, she saw one more costume—“Ice Princess”, it said.
The pattern looked relatively simple, and Lyla loved Princess dresses.
“Honey,  how about this for your Halloween costume? Come see!”
Lyla came running in; Halloween was her favorite holiday.
“Which one, which one, which one?”
“This one, baby girl. You can be an ice princess, would you like that?”
Lyla stopped dead.
“No! I can’t be an ice princess. I’ll die, Momma!”
Tina knew toddlers could be irrational—she’d seen it dozens of times—but this was different. Lyla seemed so sure of herself. Like she knew something. Something bigger then her 3 years and 54 pounds could ever explain.
“Why, honey?”
“Because I am allergic to ice.”
“You’re allergic? Lyla, that isn’t possible. Ice is just water. I put it in your juice earlier, honey.”
“No. That’s okay. I can eat it. It’s okay if I eat it because then my tummy burns it up. But if it touches me I get hurt. ”
She points to her middle as if this clarifies it all.
Lyla begins to cry the frustrated tears of a child who is misunderstood, the way a hungry baby cries  when someone tries to change its diaper instead of getting a bottle. She looks at her mother in despair.
Tina is torn then. She considers heading t the ice machine and fetching a cube, running it along Lyla’s skin just to prove a point. But is that cruel? Perhaps.
“How do you know you’re allergic, honey?”
“I…I had a popsicle. It touched my hand and I got this.  The cold part touched my hand and…ouch.”
She holds up her hand, the white scar from the previous spring planted there.
“But honey, that burn isn’t from your popsicle.”
“It is! The popsicle was too cold, Mama. It happens with  extra cold things. Like ice.”
It was all too strange for Tina to comprehend.
“I’ll put ice on me and you’ll see, it doesn’t hurt.”
She fetched ice from the machine and rubbed it slowly on her arm.
Lyla, incredulous, replied, “That’s because you aren’t allergic.  That’s why it doesn’t hurt, silly.”
Lyla walks over to her mother.
“Give me that. I’ll show you.”

Tina, surprised at the three year old’s initiative, handed over the ice cube, which was melting slowly now.
“Ow! See, my hand is ouchy already.”
Lyla was not done, however. Lyla had a point to make.
Her small face turning red and contorted before Tina’s eyes, places the ice cube on her forearm.  Suddenly, strangely, the skin begins to bubble, redden, hiss. It turns white.   Lyla screams out.
“Stop! Lyla, stop it! “
Tina grabs her daughter, takes the ice and flings it across the room.
She holds her then, shaking, the two of them crying together, crying at the odd horror of it.
Lyla looks at her mother, her eyes serious and wet.
“It hurts, Mama. “
“Okay. Okay, honey. I’m so sorry, baby girl.”
Tina has no idea how to tend to this, this unfathomable injury. But she gets some aloe. Aloe for burns, right? She rubs a bit on the whitened spot.
“No! That’s worse. Too cold too cold!”
Tina has an idea then, a strange idea. An oxymoronic and bizzare idea. She turns on the tap and sets it to the hottest it will go,  so it hurts a little against her fingers, and she fetches a washcloth, runs it under the warm water. She places this, this makeshift heating pad, against Lyla’s burn.
Slowly. Almost imperceptibly. The white skin fades slowly to grey, to pink, finally to its natural copper brown. The bubbled flesh recedes and smoothes. It doesn’t look so angry now. Lyla’s face relaxes.
“That’s better.”
Tina doesn’t know what to say then. This is no ordinary ailment. This is something that no doctor, she expects, will ever be able to explain.
“It’s okay, Momma. It doesn’t hurt at all now. I feel good.”
She pats Tina’s arm, smiles. She had always been so sweet.
Tina lifts her up, kisses her.
The night passed remarkably normally after that. Pete worked late and left early and he saw neither of them. She is glad. She wouldn’t have known how to explain.
The next day while Lyla napped---a blessing, that she still napped—Tina did some research.
She searched, futilely, for things like “allergic to cold” on Google. She begins to feel as though she is going insane.
Finally, she decides to try something else.  She types, “Healed by heat” into the search bar. Some ads for saunas pop up and a Wikipedia article on hot stone massage. But at the bottom of the page, there is another link—“Greekmythology.com”. She clicks it. “The phoenix”, the article heading reads. She skims. An ancient greek mythological creature, reborn by heat.  Recreated.
Her little girl, small and perfect. Her little phoenix.
Tina looks into Lyla’s room, stares at her as she sleeps. She sees it then. Red hair, red skin. Golden eyes. Cinnamon bun. Cinnamon, spicy. Hot. Hot as flame.
Her little girl, born of fire.
She runs  for the file folder they keep in her office, the thick one, that has every detail of Lyla’s disvovery and adoption. She rifles through court documents, the ones that made this little human hers. She goes back to the very last paper in the stack, a thin photocopy of a police report.  That one piece of the puzzle they never solved.
“Child found, newborn, approx. five hours of age, in wreckage of home, 33 Elm St. No evidence of arson. No identification with child.”
No identification. That had always bothered her, the fact that Lyla was so unmarked, so unknown. That no one had even bothered to stick her birth certificate to a blanket and wrap her up. But then, that was irrational, wasn’t it? Because anyone who left a baby in an abandoned house was beyond  the ordered world of documentation, itemized and labeled birth and death. She had always thought Lyla’s mother must have been  some kid, fifteen or sixteen, a frightened child. She had always thought that she must have been so scared, that girl, as she walked away. But now Tina’s eyes jumped to a different phrase, her mind to a different scenario, a previously unimaginable possibility, strange and beautiful.
Child found. No, child born. Born, tina realized. Not discovered, made. Born in 33 Elm St. Born of flame.
Her daughter had been found alone because she had come into the world that way, with no mother but the ashes of that crumbling house. She saw in her mind embers fusing together, sparks flying. A face forming, a little body forged from the licking flames.
A phoenix,  rising from the ashes. Rising to meet her, Tina Ashby. Rising to become her greatest love.
She began to cry then, slow, warm tears. Tears at the wonder of it  all. She cried for her noble little fire girl. Her myth made human.







Wednesday, June 18, 2014

My Mirrors


It has been an inspiring week for me as a writer--I graduated high school a week from tomorrow, and the literary anthology who published my short story "Lost and Found, British Museum" arrived yesterday. I wrote this poem to acknowledge the people in my life who have helped me most to grow--my family. Thank you to Devin, Molly, and Joseph for being my friends and partners, and of course lots of love my two incredible parents. 
Enjoy :) 


People say,
You can’t pick family.
As if they arrive as a boxed set on the front stoop,
Vaccum-sealed and plastic wrapped.
. If that was the case, I would have one brother only, just the pair of us.
I haven’t.
 I am rich in loved ones.
I have two brothers, and a sister.
They drifted into my life from other homes, broken places.
It wasn’t always easy ,
Trying to find my  niche between their loud voices, their easy confidence.
Middle children, psychologists say, spend their lives searching
I was no exception,
Did my fair share of pushing, shoving, begging, fighting for a place.
Feeling as though I wasn’t one of them.
My big brown eyes looking, always looking,to where I could fit.
But I realized, eventually, that there had been a place all along, a chair waiting for me at the dinner table, a space cleared on the couch, a stocking hung by the tree.
Four of us,
Four, I always thought that was the perfect number, so even, so fair.
We are woven together like a friendship bracelet, the handiwork of a summer day, tied for life.
I think of them laughing,
Of her tickling his chubby baby feet or braiding my hair,
of those boys shooting at me with a water gun, mock tears.
They are the mirrors I hold myself up to,
Because who am I if not a reflection of them?
The older two my protectors, the younger my playmate.
I think of my big brother, serious at eight years old,
telling the lunch lady to send me inside, I had a cough, couldn’t she see?
I think of my sister wrapping a brownie in a crisp white napkin, helping me hide it, giggling at our contraband.
I think of my baby brother tossing a basketball, grinning at his perfect slam dunk.
I think of them all.
And sometimes I felt as though our colorful family photos must be a mistake,
As though we were breaking the rules,
And I longed for the simplicity of my friends’ families,
matching t-shirts, lookalikes, no need for explanation.
But then.
Then I think of them laughing.
And I realize
They were chosen, they were given, and every day they are a reminder
Of how blessed it is
To belong to a tribe.

Tuesday, June 10, 2014

A Playing House

The house I grew up in is open, sunny.  Big windows, few carpets.
It is a playing house.
It is a house where there is space to dance all the way across the hardwood floor if you want to,
A house where the plants are tall and a child could hide behind them.
A house with a wild unkempt garden like a jungle
And three rooms all in a row  where three children, all in a row, laughed together, hid together, yelled and fought and loved one another.
It is a good house.
I am about to leave it.
My room is the second of the three, just like  me, and it is a lovely room, a room for reading, staying up late.
I am about to have new rooms, a new home, and this one, this one will be given away.
I will start my new life,  cast off high school like a too-small coat and start again,
And this house will not be waiting for me, this playing house with its wrought iron gate and its blue door that speaks of hope.
That’s okay. I don’t mind.
Houses shouldn't wait, it is so lonely for them. They like to be filled.
My family can fill it no longer, we have grown and dispersed and explored
So  someone else will.
I imagine a little girl, about eight perhaps, moving into the second room. I imagine her painting it yellow, I had a yellow bedroom once, a long time ago. I imagine her unpacking dolls and books and I imagine her saying to her friend at school, I moved to a new house, come over and see, I want you to see.
I hope she will like this house, that little girl.
I hope she learns that the sneakiest hide and seek spot is at the foot of the bed in the first room, no one can see you there. I hope she learns that even on the darkest nights no one ever jumps through the big picture window in her room. I hope that she learns that sitting in front of the living room fire place on Thanksgiving after the pie is the best feeling on earth, and that under the deck there’s a cave where there are cement blocks and planks and maybe monsters, just maybe. I hope she climbs up on the roof and looks at the stars with her best friend, wrapped in a blanket, speaking in hushed voices, as if she is at church. I hope she kisses a boy right beneath that blue door frame. I hope she bakes cookies in the oven and remembers to put it to a few degrees below the recipe, it runs hot, that oven.
I hope she does.
I am ready to give it to her, this house.
I am ready to let someone else laugh and sleep and cry here, someone else’s memories to paint these walls.
Just as long as she agrees:

She must play here. This is a playing house.